But Nothing

Paint on ply combined with fire and the physical working of the surface

65 x 52cm

"My influence is the light and emotion we find within woodlands and landscapes and the forms they provide such as horizons and tree structures and comes from a passion for protecting our natural habitats and how we as humans move and respond within the natural world. Using a combination of paint, ply, fire and physical intervention my paintings are an abstract exploration of this visual environment. Repeated paint layers of a reductive palette are applied to the ply surface which are subsequently eroded by a combination of burning with flame and heated tools, scraping with various metal edged tools and brushing with different densities of brush and cloths, this process of repeated erosion which often leads to the top layer of ply being breached to reveal the next provides both depth and texture and influences the colour shades, tones and muted hues above."

Original Artwork

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